By L. J. Davis
L. J. Davis's 1971 novel, A significant Life, is a blistering black comedy concerning the American quest for redemption via genuine property and a gritty photo of latest York urban in cave in. simply out of school, Lowell Lake, the Western-born hero of Davis's novel, heads to ny, the place he plans to make it large as a author. as an alternative he reveals a role as a technical editor, at which he toils away whereas ardour leaks out of his marriage to a pleasant Jewish lady. Then Lowell discovers a gorgeous crumbling mansion in a crime-ridden component to Brooklyn, and opposed to all suggestion, let alone his wife's will, sinks his each penny into paying for it. He quits his task, strikes in, and spends day and evening on demolition and development. finally he has a challenge: he'll dig up the misplaced background of his condo; he'll restoration it to its previous grandeur. he'll make solid on every little thing that's long past incorrect together with his existence, and he'll even homicide to do it.
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Extra info for A Meaningful Life (New York Review Books Classics)
The book ends with a forward glance at the poetry boom of the late twentieth and early twenty-ﬁrst centuries. A sampling of responses to former Poet Laureate Robert Pinsky’s “Favorite Poem Introduction ˜ 15 Project” allows me to suggest some of the similarities and differences between the values and practices of recent verse readers and the ones at the center of my study. As American readers compounded meanings out of printed words and their social uses, they bridged a number of divides: not only between the high and the popular, but also between the secular and the sacred, the liberatory and the conservative, the modern and the traditional.
C. 17 The most active vanity press was the Boston ﬁrm of Richard G. Badger. In 1897, it brought out Robinson’s The Children of the Night on those terms. Not everything Badger did was a “vanity” undertaking, however: for example, the ﬁrm printed and, later, published the magazine Poet Lore, which included plays by Strindberg, Maeterlinck, and Chekhov. Still, the number of poetry volumes on Badger’s list that remained Absence and Presence ˜ 45 important primarily to their authors far exceeded those that presaged a major literary talent.
Within the output from mainstream publishing houses, half (58) were new original works; the other 58 consisted of reprints and translations. 11 These statistics demonstrate that trade publishers in 1905 continued to bring out substantial amounts of verse—more than 40 percent of the total volumes of poetry, and about 20 percent of original new works. To be sure, most poetry (especially non-reprints) came from other sources. ” As Monroe would probably have conceded, access to print in the form of the locally or regionally distributed, limited, or author-subsidized edition was readily available.
A Meaningful Life (New York Review Books Classics) by L. J. Davis